Classical Music : Hindustani Music and Carnatic Music

Hindustani Music

  • Mainly practiced in the Northern parts of India.
  • The forms of Hindustani classical music were designed primarily for vocal performance, and many instruments were designed and evaluated according to how well they emulate the human voice.
  • Features
    • The six primary ragas in Hindustani music are – Bhairava, Kausika, Hindola, Deepak, Sriraga and Megh.
    • Ragas in Hindustani classical music strictly observe the time theory. Ex: Bhairavi at dawn, Megh in the morning.
    • Ragas in Hindustani music are also associated with feelings and moods. Example: Bhairavi with awe and fear, Kausika with joy.
    • It has a highly formalised grammar, dictated by textual as well as oral traditions.
    • Hindustani music places more emphasis on improvisation and exploration of all aspects of a raga.
    • Slow and sometimes even leisurely introductory section (alap) followed by solfege and fast section with fast melodic phrases and rhythmic play.
    • There is a significant emphasis on space between the notes.
    • Hindustani classical music has been influenced considerably by Persian traditions.
  • Instruments – Musical instruments used in Hindustani are Tabla, Sarangi, Sitar, Santoor, Flute and violin.

Carnatic Music

  • Carnatic music owes its name to the Sanskrit term Karnātaka Sangītam which denotes “traditional” or “codified” music.
  • Features 
    • It is an indigenously developed style of classical music.
    • The Melakarta scheme is a highly comprehensive and systematic formula which includes within its fold all the modes used in ancient as well as modern systems of music of the different parts of the world.
    • It is strongly kriti-based.
    • There is a unity of raga, tala and shruti in every piece.
    • The system gives equal importance to melody and rhythm.
    • Mixes the three degrees of speeds.
    • Fewer instruments are used in Carnatic and there are no exclusively instrumental forms.
    • There is an even balance between re-creativity (soulful interpretation of the compositions of great masters) and creativity (on the spot improvisations).
    • Some of the important Carnatic music compositions are – Gitam, suladi, swarajathi, jatiswaram, varnam, keerthanam, kriti, padam, javali, pallavi etc.
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