Svara:
- The basic scale (grama) of Indian music is heptatonic and it has seven notes.
- It has seven notes or svara- saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as saptak or saptaka.
Sruti
- A shruti is the smallest gradation of pitch available, while a swara is the selected pitches from which the musician constructs the scales, melodies, and ragas.
- The Natya Shastra identifies and discusses twenty-two shruti and seven swara per octave.
Raga
- It is a collection of pitches, kind of like a scale or mode in Western music.
- Each raga is defined, however, not only by the pitches themselves but also by specific formulas for using them.
- It has been named and classified in Matanga’s Brihaddeshi.
Tala
- The word ‘Tala’ finds its derivation from the Sanskrit root ‘tal’, meaning the base or pivot upon which a thing rests.
- In Sangeet Ratnakar, defining ‘Tala’ Pt. Sarangadeva says, ‘Tala’ has been derived from the Sanskrit root ‘tal’, which is the base upon which an object is fixed.
- In the same way, ‘Tala’ is the base upon which vocal, instrumental music and dance are established.
Thaat
- Thaat is a system of classification of ragas in different groups.
Rasas
- The reason behind the creation of ragas was to evoke emotional responses in the performer and the audience.
- These emotions, which are evoked through the singing and playing of instruments are called Rasas.
Types of Rasa | Mood it Evokes |
---|---|
Shringara | Love |
Hasya | Humour |
Karuna | Pathos |
Rudra | Anger |
Bhayanak | Horror |
Veer | Bravery |
Adbuta | Wonder |
Bibhatsya | Disgust |
Shant | Peace |