History
- Theatre in India began as a narrative art form.
- The Sanskrit word ‘nataka’ was derived from the root word ‘nata’ which actually meant a dancer.
- In ancient India, plays were generally of two types
- Lokadharmi: These were realistic depictions of daily life.
- Natyadharmi: These were conventional plays with a more stylised narration and overt symbolism.
Major Works
- Sariputraprakarana
- By Ashvaghosha
- It was a nine-act play.
- Mricchakatika
- By Sudraka
- Introduces the essence of conflict.
- Apart from a hero and a heroine, this play featured an antagonist for the first time.
- Malavikagnimitram, Vikramorvashi and Shakuntalam
- By Kalidasa
- Uttaramacharita and Mahaviracharita
- By Bhavabhuti
- Mudrarakshasa
- By Visakhadatta
- Ratnavali
- By Harshavardhana
Features
- Sanskrit plays followed an almost ritualistic progression.
- Characters in Sanskrit plays were classified into three kinds which are Nayaka (Hero or the Protagonist), Nayika (Heroine) and the Vidusaka (Clown).
Reasons for Decline of Sanskrit Theatre
- As Sanskrit dramatists began to diverge towards poetry, the lyrical writings started gaining popularity over the dramatic works.
- The rigid orthodoxy of the Sanskrit theatre restricted the creative space of new playwrights who turned to other forms.
- It was increasingly confined to the religious sphere and among the Brahmins, while other languages such as Pali and Prakrit took its place.
- With the advent of Muslim rulers, Sanskrit theatre took a definite backseat, as dance and music gained patronage.
Example: Koodiyattam
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